{"id":4867,"date":"2023-04-20T11:21:26","date_gmt":"2023-04-20T15:21:26","guid":{"rendered":"https:\/\/advertisingweek.com\/aw360\/2023\/04\/20\/1-simple-trick-to-tell-a-great-story-in-advertising\/"},"modified":"2023-04-20T11:21:26","modified_gmt":"2023-04-20T15:21:26","slug":"1-simple-trick-to-tell-a-great-story-in-advertising","status":"publish","type":"post","link":"https:\/\/advertisingweek.com\/aw360\/news\/1-simple-trick-to-tell-a-great-story-in-advertising\/4867\/","title":{"rendered":"1 Simple Trick to Tell a Great Story in Advertising"},"content":{"rendered":"

Why Tell Stories in the First Place?<\/strong><\/h2>\n

Since the dawn of time, humans have conveyed messages through storytelling. And this isn\u2019t a fad on a 2016 trends list; it\u2019s a timeless concept that will never lose its power to build recall with an audience.<\/p>\n\n\n\n\n

I Can Write Pretty Well, But I’m Not the Third Duffer Brother!<\/strong><\/h2>\n

Well, the good news is you don\u2019t have to be, or an Amazon bestseller. You just need a good story and a simple trick.<\/p>\n\n\n\n\n

Three-Act Structure<\/strong><\/h2>\n

And here it is\u2026the three-act structure. It\u2019s no revolutionary concept, but it is key to telling a good story. It\u2019s been used from Harry Potter to Stranger Things, to ads you may have watched this morning, and it\u2019s simple to use.<\/p>\n\n\n\n\n\n

It\u2019s all about how to build a story.<\/p>\n\n\n\n\n\n\n\n

All stories have a beginning, middle and end. The trick is to rethink these terms as setup, confrontation (sometimes conflict), resolution\u2026and that\u2019s pretty much it.<\/p>\n\n\n\n\n\n\n\n

Let me illustrate using a holistic view of the plot to Breaking Bad:<\/p>\n\n\n\n\n\n\n\n

\"\"<\/figure>\n\n\n\n

Now, film and ads work quite differently. Film and box sets are longer format, so you get to play with character development, sub plots and lots of fancy twist and turns. With ads you need to get in and out quickly. Let\u2019s have a look at what that actually means in practice.<\/p>\n\n\n\n\n

Build it and They Will Consume<\/strong><\/h2>\n

Act I<\/em><\/p>\n\n\n\n\n\n

<\/strong>So, always start your story with the setup, the problem that’s going to be solved in the end. Don’t spend too much time setting the scene here. Get in and out to the action.<\/p>\n\n\n\n\n\n

Act II<\/em><\/strong><\/p>\n\n\n\n\n\n

This is the longest part of your story. How does the protagonist go about solving the problem in Act I? What confrontations or conflicts (internal or external) do they have to deal with?<\/p>\n\n\n\n\n\n

Act III<\/em><\/strong><\/p>\n\n\n\n\n\n

The resolution. How did their actions solve the problem and what was the outcome?<\/p>\n\n\n\n\n

Write, Then Distil<\/strong><\/h2>\n

The hardest part of writing for advertising is getting in and out in of your story in the minutes \u2014 or even seconds \u2014 you have available. This bit can take some practice! As a rule of thumb, one minute of narrated content is between 100-150 words, so you can see how little you have to play with.<\/p>\n\n\n\n\n\n

Setup a simple document with the headings; Act I, II, III, or problem, action, outcome, or setup, confrontation, resolution. Whichever descriptors work best for you.<\/p>\n\n\n\n\n\n\n\n

Get all your ideas down under the relevant headers and then trim and distil and trim and distil until you have a succinct piece of writing that still retains the key information of the story. Basically, you want to start with a hi-res portrait photo and end up with a Picasso.<\/p>\n\n\n\n\n\n\n\n

\"\"<\/figure>\n\n

Don\u2019t forget, your story can be told in visuals too, words aren\u2019t always needed, but you still need to write the essence of the story to direct production through a storyboard.<\/p>\n\n\n\n\n\n\n\n

Here\u2019s a great example from UK-based retailer John Lewis, who worked with creative masters adam&eveDDB on this festive ad.<\/p>\n\n\n\n\n\n

\n