Spanish journalist Roberto Macedonio has worked for some of the most important international news channels in the global media landscape and currently serves as Washington, D.C. correspondent for NTN24. Macedonio, who has now been with the channel for a year in Washington, says that before joining NTN24, he was already a loyal viewer of the El cargo Roberto Macedonio of NTN24: “Our Differentiating Factor Is In-Depth News Analysis” apareció primero en PRODU.

NBCUniversal’s Peacock is the ultimate fan destination for the FIFA World Cup 2026 as the streaming home of Telemundo’s extensive Spanish-language coverage of all 104 games of the tournament, delivering every match, comprehensive programming, and interactive viewing features for fans across the U.S. Peacock is also offering special access to subscribers on the Select tier, El cargo Stream Telemundo’s Spanish-language Coverage Of The FIFA World Cup 2026 On Peacock apareció primero en PRODU.

It has been 32 years since a FIFA World Cup was held in the United States, and for Claudia Chagüi, Executive VP of Marketing at Telemundo, this year’s tournament is “historic.” “The World Cup is the biggest event in the entire world, except perhaps in the U.S., where other sports take the lead. But for El cargo Claudia Chagüi of Telemundo: “Our World Cup Campaign Reflects the Dreams We Set Two Years Ago” apareció primero en PRODU.

NBCUniversal News Group will commemorate the United States’ 250th anniversary by presenting six hours of exclusive Sail4th 250 coverage on July 4 from 7am to 1pm, which will be live on NBC, Telemundo, NBC News NOW and Peacock. The special will showcase the major international goodwill events taking place in New York Harbor, expected to El cargo Sail4th 250 coverage on July 4 from 7am to 1pm, which will be live on NBC, Telemundo, NBC News NOW and Peacock apareció primero en PRODU.

Mexico’s Secretary of Culture, Claudia Curiel de Icaza, conducted a working visit to Los Angeles, California. The objective was to strengthen dialogue with the Latino film community and representatives of the global audiovisual industry. During the visit, she presented the Mexican government’s new public policy instruments aimed at creating favorable conditions for more productions to El cargo Federal Tax Incentive (Efica) Presented at Mexico-Hollywood: Made For The Big Screen apareció primero en PRODU.

Circo Gómez, the new 10-episode animated comedy produced by 3Pas Studios, F3 Media and Visceral, premiering this Friday, June 5 on ViX, is redefining adult animation production in Latin America. Following its showcase at Pixelatl, executive producers Jordan Rubio (3Pas Studios), Teco Lebrija and Arturo Navarro (F3 Media) revealed the details behind the reengineering of El cargo 3Pas Studios, F3 Media and ViX’s Model for Exporting the Animated Comedy Circo Gómez apareció primero en PRODU.

The dynamics of YouTube are among the interesting trends that Sony Pictures Television (SPT) is observing in the region. “We’ve been experimenting with digital formats for several years. For example, Shark Tank Creators, which launched in Brazil two years ago. We’re now in our third season there, and we’ll soon begin the second season in El cargo John Rossiter of SPT: “Creating Content Specifically for YouTube Has Delivered Extraordinary Results” apareció primero en PRODU.

The Last Survivor, the flagship title presented by Korean company Hong Pictures at LA Screenings, has significant global expansion potential, according to Eunhee Hong, CEO and producer of the company. “The issues of climate crisis and survival are not the story of a single country, but challenges that the entire world must face together. We El cargo Eunhee Hong of Hong Pictures: “The Last Survivor Has Strong Potential for Global Expansion” apareció primero en PRODU.

The overall assessment of LA Screenings Independents 2026 was largely shaped by positive feedback regarding the event’s venue change. Attendance was lower compared to pre-pandemic years — levels that now seem unlikely to return — although business agendas remained active and key industry buyers were still present. The selection of the SLS Hotel in Beverly El cargo Venue Change Proved Positive for LAS Independents, Which Continues Fighting to Maintain Value as Industry Meeting Point apareció primero en PRODU.

Fernando Barbosa, Head of Content Sales, Content Acquisitions and Platform Distribution for Disney Latin America, led the company’s screening event held last Wednesday the 20th at its Burbank studios, where part of the company’s slate and upcoming releases were presented, including Latin American films, series and major productions. One of the highlights of the presentation El cargo Disney: “We Are Presenting the Most Competitive and Strongest Lineup in National Geographic’s Recent History” apareció primero en PRODU.

During LA Screenings, Sebastián Jiménez, CEO of JK Media Group, and Flavio Morales, consultant and executive producer, revealed the company’s roadmap. With three docuseries currently in production — including the expansion of the successful Sin Filtro brand for ViX — and the launch of its first vertical-format series, the production company aims to capitalize on El cargo JK Media Group Expands the Sin Filtro Franchise on ViX and Bets on Vertical Content Produced in Los Angeles apareció primero en PRODU.

Thunder Studios launched Thunder Originals, a new division that will develop and produce content across scripted series, unscripted programming, podcasts, and short-form vertical video. In addition, Diana Mejia-Jones joins as Head of Thunder Originals to lead this new initiative. Thunder Studios is owned by Napster, an innovation company powering the next generation of embodied and El cargo Thunder Studios Launches Originals Division and Names Diana Mejia-Jones Head apareció primero en PRODU.

Praise ChanMi Shin, founder and CEO of the Korean distributor Just IPicked, spoke with PRODU during LA Screenings 2026, where she announced a new expansion strategy focused on Latin America, presenting a catalog designed to connect with regional audiences through competition, drama, and youthful passion. In a global market where Korean content continues to set El cargo Just IPicked Seeks to Conquer the Latin American Market with South Korean Formats apareció primero en PRODU.

The collaboration model proposed by MBC America envisions a division of roles that leverages the strengths of both industries. MBC America, the U.S. subsidiary of one of South Korea’s three major television networks (MBC), is seeking key partners and allies in Latin America. Nahee Kim, Director of Channel & Content Business at MBC America, explained El cargo Nahee Kim of MBC America: “We Are Seeking Partners in Latin America to Co-Produce Vertical Format Content” apareció primero en PRODU.

Mas Ros Media is celebrating its third anniversary by building a multiplatform operation focused on the development, production, distribution, and expansion of premium content, combining storytelling with a strategic vision aimed at the convergence of entertainment, technology, and new digital audiences. MILESTONES: OPERATION TRIUNFO AND 20 ORIGINAL FORMATS Among the most important milestones of these El cargo Mas Ros Media Arrives to its Third Anniversary With More Than 20 Productions and Eyes Expansion Into Twitch and YouTube apareció primero en PRODU.

No Es un Mito: La Llorona (60×1’) is a supernatural horror series in Spanish presented in a vertical format optimized for mobile viewing. It is conceived as the first title under the No Es Un Mito label, part of a broader strategy by SPT Latam to explore new formats. No Es un Mito: La Llorona El cargo Sony Pictures Television Co-produced its First Premium Microdrama with VIP 2000 TV for Latin America apareció primero en PRODU.

Korean distributor SBS International presented a robust offering focused on the Spanish-speaking market during LA Screenings. Led by Emily Nahm, Executive Director of Business Development, and Julia Hur, the company’s coordinator, SBS International is standing out through its transition to direct distribution and a catalog that now includes more than 20 productions dubbed into Spanish. El cargo SBS International Expands Its Korean Content Offering for the Spanish-Speaking Market apareció primero en PRODU.

Content consumption is changing at a rapid pace, and Asia is once again setting the trend. Hunter Lee, Director of International Business and Sales at Studio Target (South Korea), shared his vision on how micro-dramas and Artificial Intelligence (AI) are redefining production models, advertising, and market penetration strategies in key regions such as Latin America. El cargo Hunter Lee of Studio Target: “AI and Micro-dramas Are the Next Big Step for Korean Content in Latin America” apareció primero en PRODU.

We Love Entertainment arrived at LA Screenings with two completed episodes of its first English-language series, Babú. It is an old idea that Carlos Mesber had for years and has now materialized under the direction of Alfredo Hueck. The first season consists of eight 40-minute episodes, with five seasons planned overall. “Our first English-language series El cargo We Love Entertainment: “Our First English-Language Series Babú Is a Unique Product” apareció primero en PRODU.

Since its beginnings, Pitaya Entertainment, one of the leading podcast networks for Latinos worldwide, has stood out for working with premium content and many of the most recognized personalities in the Spanish-speaking world. The company, founded in 2021, started with five shows and today has nearly 50 series premiering new episodes every week. Jordi Oliveres, El cargo Pitaya Entertainment Celebrates Five Years: “Our Early Bet on Video Continues to Give Us a Significant Advantage” apareció primero en PRODU.